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Shelly's Art Gallery
ARTAFFAIRS Article
 Glen & Shel in Seattle

We love being grandparents

My Florida kids, Stephanie & Robert

My California kids, L to R, Emily, Missy, Daisy, Jason and Alyson

Robert & Steph at Niagra Falls

Brother and Sis in Florida

Me and my best buddy, Carol in Connecticut
 Shel & Glen, San Diego, 1966

Meezle
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WHAT INSPIRED ME
When I was very small, I used to drag a cat around with me
wherever I went. Where other small people used well-worn flannels
to drag through leaves, dirt, peanut butter and jam, I had my
cats. Suffice it to say that they were the best-loved critters
on the block, if not the best dressed. While plastic and porcelain
dolls sat gathering dust on the shelves, my parents and their
colleagues determined that I was to be a veterinarian in training
as they observed me bundling small furry mewing things in bandages,
blankets, bibs and cribs. The companionship of the cats seemed
to fill my emotional needs as well as my imagination. They passed
the time while the new baby brother addition kept mother, dad
and my grandmother occupied. My main human cohort was my grandfather
who contributed greatly to my ever-blossoming imagination. His
grandfatherly yarns contained some of the all time greatest grampa
fibs ever fabricated. This widened my eyes and prepared me for
my own yarn spinning abilities later as I began to find trouble
to get into. A good imagination can be ones best friend when
one is busy enjoying life in a manner that mother would not approve.
I also learned that the old folks were the ones that were full
of tall tales, comfy laps, warm cookies, and magic. Ive loved
the seniors ever since.
As a rather loquacious preschooler, I was often plopped in
the rear of the station wagon, given some paper and a pencil
and told to Shut up and draw. This kept me occupied as well as
my parents sane on most family trips. It also kept me from yanking
my little brothers hair when the folks werent looking. I spent
a lot of time day dreaming on those trips. I dreamed about one
day becoming a famous artist and running away to France where
I would paint to eat.
Growing up in San Diego, California in an area of upper middle
class professionals was not what one would expect from the average
starving artist. My parents were never really poor, yet they
werent as wealthy as our neighbors or as well off as mother would
have liked. She spent much of her time dreaming, scheming and
trying to figure ways for Dad to claw his way up that corporate
structure. This met with a little difficulty for a meat cutter
for a large chain grocery. His occupation suited me fine, though
as it meant that we would have steak at least once a week. That
was my absolute favorite. I could have eaten cow morning, noon
and night. I was a card carryin meat and potatoes kid. While
other kids were developing craters in their teeth from candy
and junk, I was building a case for concrete arteries& Until
I reached my thirties and I discovered red wine. Eventually the
trips for annual checkups showed that I had evened out my LDL
with my HDL, so the stuff they say in medical journals must be
true.
HOW I DID IT
Drawing and painting were always only my hobby. I dabbled
in it whenever I had some spare time that was not already reserved
for my family, my job, my house or my yard. My art encompassed
painting on walls as I decorated my home to fashioning things
out of seashells and driftwood to hang in my patio.
My first real job in art was in the medical field where I
did some freelance medical illustration for a few publications.
My work had always been tight-handed making me a good candidate
for an illustrator. I suppose it was all that work in the back
seat of the station wagon with a 5x7 pad of paper.
Unfortunately, as the family grew along with their needs,
I had to do other things to pay those bills. Usually my biggest
dilemma was finding the time to do what I enjoyed. It seemed
that my day job always took precedence thereby eliminating the
time I needed to pound out the artwork I loved. Working as a
Planner/Scheduler in various industries from utilities to aerospace
kept me in paint, canvases, sketchpads and an occasional bottle
of wine, but rarely presented me the time to create.
As a contractor, I moved about the country and saw many beautiful
spots. Vermont was breathtaking as were parts of Connecticut.
Living in San Luis Obispo County in the late eighties offered
the scenic beauty that eventually heralded my desire to once
again take up the paintbrush. The rolling hills were fluorescent
green in the winter and spring (which gave the locals reason
to refer to them as the Irish Hills). In the summer, they turn
to shades of gold enhanced by the live oaks and lovely vineyards
dotting the hillsides. We lived in the Los Osos/Morro Bay area
on Californias Central Coast. This afforded us the luxury of
a fog bank that crept in each evening and lingered. Our area
was kept cool when other spots in the county were feeling the
sweltering heat. The fog bank also laced fingers out to the hills
and settled in the small valleys below. This frequently changing
mood touches the artist in most people and I was not spared.
I knew I had to drag out the easel when I moved there.
Over the years, my tight handed illustrations had kept most
of my images small and confined to the 8 x 11 reams of copy machine
paper or small sketch pads. Many of my quick designs, drawings
and cartoons went straight to recycle bins. College soon changed
all that.
While on a sabbatical from my contract job, I enrolled in
a local college in San Luis Obispo to get some art culture. I
chose a mixture of classes to get a feel of the different types
of media to find my true niche. My instructors seemed bent on
turning me into a neo-expressionist and continually persuaded
me to use my entire arm and body to make one brush stroke. Working
my way from cramped 5x7 paintings and illustrations to 4x 6 canvases
was difficult at best. I had dug a groove in the way I put pencil
to pad over all those years and no teacher who was almost young
enough to date my kid was going to tell me any different. Nevertheless,
I succumbed to peer pressure and managed to pull As in all of
my classes despite my grumbling.
My cartoons have always seemed to command the most attention.
Cartooning may be my first love even over my painting. For many
years I longed to become a political cartoonist. Perhaps its
because of my desire to portray people as others see them and
not as they would have you see them. I always said that in my
business, (my day job), one had to maintain a sense of humor
to survive. Well, Ive survived thus far and no one has gotten
too offended by my portrayals. Many friends, family members and
(yes, my cats) have become characters that have skittered across
the paper and found lives of their own.
I have dabbled in many mediums and tried out many subjects.
I have determined that I will never have exactly what Im looking
for as long as new mediums are introduced and new subject matter
raises its head for me to have fun with. I seem to be destined
to do my own thing, Im afraid. I have given up the serious and
launched into the whimsical, coupling my love for cartoons with
my love for painting. The results, I hope, will make you smile.
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